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Pro tools 12.7 scaling 4k
Pro tools 12.7 scaling 4k









  1. PRO TOOLS 12.7 SCALING 4K MP4
  2. PRO TOOLS 12.7 SCALING 4K WINDOWS 10
  3. PRO TOOLS 12.7 SCALING 4K PRO
  4. PRO TOOLS 12.7 SCALING 4K WINDOWS 8.1
  5. PRO TOOLS 12.7 SCALING 4K LICENSE

Up to 4 simultaneous 60p 4:2:0, 8-bit HD encodes/decodes or 1x 60p UltraHD encode/decode to/from SDI.Up to 2 simultaneous 60p 4:2:2, 10-bit HD encodes/decodes or 1x 30p UltraHD encode/decode to/from SDI.Up to 4 simultaneous 60p HD encodes/decodes or 2x 30p UltraHD encode/decode to/from SDI.NDI Inputs can be received, transcoded, and output as IP Video Streams.Up to 4 simultaneous 60p HD encodes/decodes or 1x 30p UltraHD encode/decode to/from SDI.Multiple streams/formats/destinations can be derived from a single SDI input.

PRO TOOLS 12.7 SCALING 4K LICENSE

*Full NDI, H.265, H.264, H.262, HLS I/O functionality included with BRIDGE LIVE turnkey system, JPEG 2000 I/O license options availableīRIDGE LIVE supports the following configurations for encoding and decoding between SDI and streaming formats as standard.

pro tools 12.7 scaling 4k

  • Dual power supplies for critical application redundancy.
  • Dual 10GbE interface for control and transport.
  • Turnkey 1RU rack-mountable, enterprise-class form factor.
  • Monitoring, Control, and Automation supported via REST API or SNMP.
  • Remote WebUI or local GUI for easy administration, control, and operation.
  • HDR/SDR from SDI source to SDI destination in BRIDGE LIVE end-to-end configurations.
  • Unmatched Metadata capabilities including MPEG-2 ANC, SMPTE 2038, Ad insertion markers (SCTE-35/SCTE-104), CC/Subtitles (EIA-608/708, Line 21, H.264 SEI).
  • Selectable profiles for 10-bit and 8-bit, 4:2:2 and 4:2:0.
  • pro tools 12.7 scaling 4k

  • Multi bit rate/format distribution, ABR Ladder Profiles for OTT hand-off.
  • PRO TOOLS 12.7 SCALING 4K MP4

  • Transports MPEG-TS, NDI, AVC-TS, Fragmented MP4.
  • Protocols SRT, UDP, HLS, RTP, RTMP/S (output), MPTS (input).
  • Synchronous Multi-Channel / Multi-System Transport for SDI backhaul or Cloud Delivery.
  • 12G-SDI/3G-SDI I/O supports Multi-Channel HD or UltraHD as standard.
  • Yes, things are small, but they are very sharp. it's been over a week and I'm sticking with it. UPDATE: After a while, I gave 150% at 3840x2160 a try.

    PRO TOOLS 12.7 SCALING 4K WINDOWS 8.1

    I have left the application running on the Windows 8.1 setting, but at 200% and all seems well. However, my eyes are not what they used to be and I have set it back to 200%.

    PRO TOOLS 12.7 SCALING 4K PRO

    With the application from your link, I was able to use 175% and it looked as good as 200% (except for the Pro Tools issue noted above). Other multiples appeared somewhat less sharp in the past. Prior to seeing your post, I had been using 200% scaling at 3840x2160 on a 28" monitor. I would encourage others to give it a try and evaluate for themselves. It was nice to be able to see more screen elements from Pro Tools on my monitor! Maybe the minor font weirdness is just on my system. Nothing that would render Pro Tools unusable, but it looked less "nice". Some fonts in Pro Tools appeared a bit off. I gave it a try and it appears to work for the Windows GUI in general, but I noticed that not all of the benefits translated into Pro Tools 12.8.

    PRO TOOLS 12.7 SCALING 4K WINDOWS 10

    Studio One probably had this coded in early on, so the effort was probably not huge.Īside from the less than perfect sharpness of PT, there is the far more serious issue (in my opinion) raised by DAWgEAR and others whereby AIR plugins and Score Editor cause GUI to shrink to a quarter of normal size on 4k displays with Windows 10 (and 8).Īfter quite a bit of trial, error and research I found a solution that works for me: I conclude this must be a bit of an effort to address for applications with lots of GUI elements and lots of legacy code.

    pro tools 12.7 scaling 4k

    Having followed Cubase for some time I observe their latest release did not include DPI-awareness, as requested by lots of users for a long time. So does Sibelius, which is DPI-aware (at least mostly). Studio One, on the other hand, is DPI-aware, so it looks super-sharp. Regarding the sharpness issue I also find PT a bit less sharp than other applications, but Cubase is far less sharp. I'm on a Dell laptop with a 4k display, Windows 10, Pro Tools 12.6.0, and apply 200% scaling. It seems this thread concerns two main issues: The lack of sharpness of the GUI on 4k displays, and (to some extent) issues with AIR plugins and score editor when 200% scaling is applied to allow for "normal-sized" text and graphic elements for smaller displays.











    Pro tools 12.7 scaling 4k